In this interview with contemporary witnesses, painter and director Jürgen Böttcher talks about some stages of his professional career. This also includes his path to film art and his work at Deutsche Film AG (DEFA) in Potsdam-Babelsberg. He also tells of his experiences during the shooting of films such as "Barfuß und ohne Hut", "Rangierer" and the documentary film "Jahrgang 45", once banned but finally re-released at the Berlinale 2015. During the conversation, questions about the difference and similarities between painting and film, the significance of music in film, Böttcher's preference for black and white, and his criteria for choosing topics for documentary film projects will be discussed.
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January 1, 2015
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Overview
In this interview with contemporary witnesses, painter and director Jürgen Böttcher talks about some stages of his professional career. This also includes his path to film art and his work at Deutsche Film AG (DEFA) in Potsdam-Babelsberg. He also tells of his experiences during the shooting of films such as "Barfuß und ohne Hut", "Rangierer" and the documentary film "Jahrgang 45", once banned but finally re-released at the Berlinale 2015. During the conversation, questions about the difference and similarities between painting and film, the significance of music in film, Böttcher's preference for black and white, and his criteria for choosing topics for documentary film projects will be discussed.
